Today we had hours of information, looking toward the mounting and framing process, and something came up that I had never thought about doing because (as my lecturer said) borders are something of a convention. With the right images a ‘full bleed’ could really have a positive change, it could help the series to flow or it could even open the images out and make them feel more open. The nature of my photographs could be opened up by this change, this tightly cropped image can suddenly breath and become an immersive experience. I will come back with more on my final edit and the ‘full bleed’ in the next couple over weeks, if everything goes to plan.
Getting onto the main topic of the post mounting, today we were shown a variety of different ways to mount our photography on to, Dibond being my personal favourite, the rigidity of the mounting material for me is the first positive, then it has a very sleek look form the side, the second positive. Its first major downfall however, its cost. It is nearly double the price of the next cheapest material on the list.
The other material that was an early favourite with everyone, was the 5mm black foamex, it is also pretty sturdy and has a very sleek look from the side, but printing on thick paper, as I may well do, might look odd when viewing the edges.
Another part of of today was seeing paper sizes in all their glory, you can be told them, look them up even imagine them but until you see them labeled in front of you you can’t know. B0 very large, A0 also very large, A1 however, that may be large but I think that it is a manageable size. Below our very own Hal holds up an example of B0. Below that again is Kayleigh holding up an A2 print to see how many we can fit into the default exhibition space.